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Air in E Minor for flute violin and piano
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You've selected:
Air in E Minor for flute violin and piano
Sheetmusic to print
10 sheet music found
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1
Air in E Minor for flute/ violin and piano (cello part ad lib.)
Air in E Minor for flute/ violin and piano (cello part ad lib.)
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Violin and Piano
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Classical
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Wedding/Ballad
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Henry Holcombe
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Klas Krantz
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Air in E Minor for flute/ viol
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Amadeus Music
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SheetMusicPlus
Composed by Henry Holcombe (1690-1750). Arranged by Klas Krantz. Baroque Period, Wedding, Funeral, Recital. Individual Part, Score. 4 pages. Published by Amadeu...
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Composed by Henry Holcombe (1690-1750). Arranged by Klas Krantz. Baroque Period, Wedding, Funeral, Recital. Individual Part, Score. 4 pages. Published by Amadeus Music (S0.121613). - Individual Part,Score - Baroque Period,Wedding,Funeral,Recital - Amadeus Music
$4.95 ≈
4.62€
Pachelbel: Canon for Alto Flute & Piano
Pachelbel: Canon for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Wedding/Ballad
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$26.95 ≈
25.14€
Black is the Color of My True Love's Hair - Flute & Piano Arrangement
Black is the Color of My True Love's Hair - Flute & Piano Arrangement
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Folk Song
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James Michael Stevens
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Black is the Color of My True
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.572351 Composed by Folk Song. Arranged by James Michael Stevens. 20th Century,Celtic,Folk,Irish,Wedding. Score and part....
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Flute,Piano - Level 4 - SKU: A0.572351 Composed by Folk Song. Arranged by James Michael Stevens. 20th Century,Celtic,Folk,Irish,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3424147. Published by James M Stevens Music ASCAP (A0.572351). This is an arrangement of the classic folk song, Black is the Color of My True Love's Hair, for Flute and Piano in F sharp minor. There is a separate violin part in the score and the piano can serve as a stand alone solo. The piano track is available under Black is the Color of My True Love's Hair Piano Track F Sharp Minor. This arrangement is also available for violin in the key of E minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/dtWuZ92UKTE
$6.99 ≈
6.52€
Scarborough Fair - Lead Sheet in E Minor
Scarborough Fair - Lead Sheet in E Minor
Piano, Flute, Oboe, Saxophone, Recorder, Violin, Organ
Beginner level
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Traditional
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Miranda Wong
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Scarborough Fair - Lead Sheet
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Miranda Wong
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SheetMusicPlus
By Traditional. Arranged by Miranda Wong. For Piano, Flute, Oboe, Saxophone, Recorder, Violin, Organ. Children's Music, Movies/TV, Easter, Folk Music, Wedd...
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By Traditional. Arranged by Miranda Wong. For Piano, Flute, Oboe, Saxophone, Recorder, Violin, Organ. Children's Music, Movies/TV, Easter, Folk Music, Wedding. Easy/Beginner. Sheet Music Single, Lead Sheet. Miranda Wong #MS00437. Published by Miranda Wong
$4.99 ≈
4.65€
"Salento" A Modern Tarantella for Violin Duet and Piano- Intermediate
"Salento" A Modern Tarantella for Violin Duet and Piano- Intermediate
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2 Violins (duet)
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INTERMEDIATE
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Grant Horsley
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"Salento" A Modern Tarantella
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Grant Horsley
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.785780 Composed by Grant Horsley. Multicultural,Standards,Wedding,World. 26 pages. Grant Horsley #6265503. Publis...
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Violin Duet Violin - Level 3 - SKU: A0.785780 Composed by Grant Horsley. Multicultural,Standards,Wedding,World. 26 pages. Grant Horsley #6265503. Published by Grant Horsley (A0.785780). Salento is a Modern Tarantella.Tarantella is a lively dance in 6/8 time featuring quick steps originating in Taranto Italy. The dance was originally a flirtation one where couples danced in a manner to entice courtship, however it is more known as a dance of hysteria for when a victim was bitten by a spider (tarantula), it was believed that dancing furiously with tambourines would cure them.This Tarantella is in ternary form and in A minor and the most complicated note value is a quaver and the highest note is top E. I have kept both instrumental parts fairly equal throughout avoiding a number 1 and number 2 I have left the bowing to the performer and I have placed it at Intermediate level, but the youtube link has the whole score for you to assess the suitability.It is ideal as a showpiece, useful for concerts, recitals or simply something a little different to play. It is 2 mins 45 in length and the price is for the score and parts.Flute, Trumpet and Clarinet Duets are also availableThe piano accompaniment track is also available separately.
$5.99 ≈
5.59€
Music for Two, Volume 5 for Flute or Oboe or Violin & Clarinet Duet 46205
Music for Two, Volume 5 for Flute or Oboe or Violin & Clarinet Duet 46205
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Clarinet, Violin (duet)
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ADVANCED
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Daniel Kelley
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Daniel Kelley
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Music for Two, Volume 5 for Fl
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Last Resort Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Instrumental Duet,Violin - Level 5 - SKU: A0.1109788 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,...
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B-Flat Clarinet,Instrumental Duet,Violin - Level 5 - SKU: A0.1109788 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Romantic Period,Wedding. 45 pages. Last Resort Music Publishing #712153. Published by Last Resort Music Publishing (A0.1109788). 46205 Volume 5 - Wedding & Classical Favorites Playable by Flute & Clarinet or Oboe & Clarinet or Violin & Clarinet This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. 46205 Volume 5 Table of Contents Allegretto from Die Fledermaus (Strauss) Alleluia from Exsultate, Jubilate (Mozart) Arrival of the Queen of Sheba from Solomon (Handel) Ave Maria (Schubert) Badinerie from Suite #2 in B minor (Bach) Bist du Bei Mir (Bach) Capriccio #24 (Paganini) Clair de Lune (Debussy) Drinking Song from La Traviata (Verdi) Etude - E Major Op. 10 #3 (Chopin) Flower Duet from Lakme (Delibes) Largo Winter from the Four Seasons (Vivaldi) Mighty Fortress Is Our God (Luther) Minuet from Don Giovanni (Mozart) Minuet from Piano Sonata #20 in G Major (Beethoven) Minuet (Boccherini) Onward Christian Soldiers (Sullivan) Polka from Die Fledermaus (Strauss) Presto (Haydn) Sempre Libera from La Traviata (Verdi) Slavonic Dance #2 (Dvorak) Theme from Jupiter from The Planets (Holst) Valse Allemande from Carnaval (Schumann) Waltz from Sleeping Beauty (Tschaikovsky) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$22.00 ≈
20.52€
O Holy Night (Londonderry Air) – SATB, String quartet, Piano, Flute, Bassoon
O Holy Night (Londonderry Air) â SATB, String quartet, Piano, Flute, Bassoon
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Christmas
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John Sullivan Dwight, Traditio
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Ben Trigg
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O Holy Night
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OlivePress Music
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SheetMusicPlus
B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Cello,Choir,E-Flat Clarinet,Flute,Oboe,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.1002418 Compose...
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B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Cello,Choir,E-Flat Clarinet,Flute,Oboe,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.1002418 Composed by John Sullivan Dwight, Traditional. Arranged by Ben Trigg. 20th Century,Christmas,Romantic Period,Sacred. 32 pages. OlivePress Music #6685291. Published by OlivePress Music (A0.1002418). Two verses from the much loved Christmas carol 'O Holy Night' have been re-arranged with just a couple of minor lyrical tweaks to the traditional folk tune 'Londonderry Air' (otherwise known as O Danny Boy). This arrangement is scored for SATB choir, String quartet/section, Piano, Flute and Bassoon; the woodwind parts are non-essential to the arrangement. First performed in Forest Hill, London, Christmas 2021.Find the complete 'For Christmas' catalogue from OlivePress Music at https://olivepressmusic.com/for-christmas/
$12.99 ≈
12.12€
I Had Much Grief
I Had Much Grief
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94 ≈
7.41€
Streets of Cairo - Piano Accompaniment by James Thornton - Flute, Oboe, Recorder or Violin Part and Piano Accompaniment
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Piano Accompaniment
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James Thornton
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Streets of Cairo - Piano Accom
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Musicnotes
Sheet Music for Streets of Cairo - Piano Accompaniment by James Thornton arranged for Flute, Oboe, Recorder or Violin Part and Piano Accompaniment in E Minor. D...
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Sheet Music for Streets of Cairo - Piano Accompaniment by James Thornton arranged for Flute, Oboe, Recorder or Violin Part and Piano Accompaniment in E Minor. Digital sheet music from Musicnotes.
$5.79 ≈
5.40€
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Air in E Minor for flute violin and piano
